Saturday, March 16, 2013

Frilly Silly Filly, a poem


Frilly
Silly
Filly
Where it is you’ve been?

Prancing
Dancing
Trancing
‘Cross fields
into the Wind.

Frilly
Silly
filly
What it is, you do
all day
among the clover
the bees
the birds,
and you?

Frilly
Silly
Filly

So beautiful and new
to life in fields
and pastures
to streams
and hills
 and you. 

Frilly
Silly
Filly
How find you, life so far?
Running 
Prancing
Dancing
through
 life upon a farm?

Frilly 
Silly 
Filly
What wish you, on a star?
A friendly hand,
An apple sweet,
a friendly dapple mare
to roll a bucket 
for you to chase,
to nestle beside you
near a pile of hay
when comes the end of day.

2/19/2013
Thinking of a Frilly Sill Filly and My Darling Lola
copyright@Catherine Al-Meten, 2013
Mother and Child                                                                                                                        Catherine Al-Meten
Oregon City                                                                                                                                            March 2005

Friday, February 8, 2013

Poetry: Language of the In Between


Poetry is born from the times in between. The waiting times, the hunger times, the longing times, and the times when we seem to be able to do nothing more. Yet, in that space between times, images, sensations, emotions, and our chattering minds seem to find, in stillness, a moment to capture, a moment to find ourselves awake and alert to the eternal Now.  

From my latest book, Shadows: A Collection of Poetry, a stanza from "Waiting for Snow."

Snuggled beneath warm covers,
Propped up on piles of pillows,
High in the warmth of the white iron bed,
Doll-like in perpetual pose,
Straining, praying,
Waiting for snow."
 Spend some time in the stillness of your days and nights, sinking deeper into the language of the in between...poetry.  Consider too, jotting down your own experiences, observations, feelings, and imaginative, intuitive ideas. You never know, but that your in-between times a poem or a story or a tale or a painting, a vase, or piece of jewelery, or new invention might be seeded. 


Rainy Day on the Pier                                                                                                                                     Catherine Al-Meten

Snowed in or just wanting to stay by a warm fire and catch up on your reading? Stuck in an airport, or waiting in the car or waiting room for someone’s game, rehearsal, class, appointment or practice to finish? 
May I suggest getting my book, Shadows: A Collection of Poetry  for your Kindle.  Shadows: A Collection of Poetry is a fine collection of poetry and some striking photography, and it is  available now on Kindle.  You can also order a paperback copy and get free shipping  on Amazon.com

Tuesday, January 29, 2013

Why I Don't Do Meetings

Wisps                                                                                                     Catherine Al-Meten



For most of my life, much of each day has been planned. When I was a child, my parents planned my life. I had lots of free time to roam and wonder, to play and have fun.  When in school for many, many years, life revolved around school, homework, friends, and finding time to do all the things I wanted and needed to do. 

Once I began working, life continued to revolve around the hours of work, and since I’ve always had more than one job going at a time, life was filled with meetings, events, and activities including preparing for meetings, events, and activities. While working, I was also going to school, and because people have always been important to me, life revolved around friends...most of whom I met while, you guessed it, working or going to school, or both.  While working and going to school, I was also starting my own family. I had my Daughter in my early 20s, and after 2 years, became a single mother until my mid-30s. I married, continued mothering, began helping take care of my parents who were now aging and in fragile health, and doing all the other things I had been doing. As a teacher, administrator, and counselor, life continued to be about meetings, planning, preparing, activities, researching, learning, writing, discovering, activities, events, and more meetings. For many years, this lifestyle appealed to me, in fact fed me and nourished me, and I was perfectly happy in the rhythms of life.

When I was working an executive level administrative job on the East Coast, my Daughter had her first child. My granddaughter’s birth was a turning point in my life, and within a few months, I had moved to the Bay area to help my daughter with my Granddaughter. From that moment, my priorities shifted. It was a 8.0 earthquake event in my life.  One week I am working 24/7, responsible for multiple programs, budgets, obligations, and 5-year plans.  The next week, I’m sitting in a rocking chair in my bathrobe in the middle of the day rocking a 2-month old child--my granddaughter, and I thought at that moment, “There is nothing more important to me than being right here where I am with this beautiful child.” I felt then, and I continue to feel so grateful that my Daughter allowed me to come and help her take care of this lovely child who is now 6 years old. 

At the same time I became Yaya, I also resolved to commit myself to running my own businesses.  From that point, I have been a self-employed writer, photographer, and spiritual counselor.  Like many who work for themselves know, we can drive ourselves hard. Our work no longer depends entirely on someone else’s whim or plan. We operate according to our own schedules (often late into the night or days without a break), and we decide the direction of our work. A little over 6 months ago, I began leading workshops and meditation groups at a local yoga studio. I love what I’m doing, and am only committed to be there 2-3 hours a week.  I see clients in my home, at the studio and at other venues (bookstores, care facilities). My writing and photography work I do daily, and I arrange counseling for a couple of sessions a week.  

So, as you might see, though I am in charge of the planning of my life, it continues to be full of meetings, activities, and events.  At this moment, I am longing for some time to try out a different style of living. I realize that when I have a spare moment, I long for quiet and calm.  I long for an intimacy about life that doesn’t include work, obligations, meetings, or events. I long to live next door to my daughter and granddaughter so we can drop by one another’s house on a daily basis for tea, a laugh, a walk, or a talk.  I long to have someone else in the house that has been mine alone for too long. I long to get into the stickiness and fun and chaos and joy and struggle of life lived in close connection.  I long to catch up on all the years I’ve missed with the man I love. I long to find out what it feels like to just ‘be’ without anything on my schedule.  I long for a vacation that is actually about relaxing and not about more plans, meetings, projects, and events.  

Why am I writing this to address the question, “why I don’t like to make appointments? I long to not have to set my life aside  or take up space in my brain awaiting the telephone meeting or long-awaited call to a friend.  I’d rather be with my friends. I’d rather be with my family and those I love, and not just experience them as a date on a calendar, an item on an agenda, a plan on an itinerary, or a dream for the future. Life, for me, is in urgent need of living, now. Clearing my calendar, setting aside plans and schemes, and heading into a time when I am enjoying life as it is, regardless of where I am or who I am with.  

Making appointments means I’ve set time aside to meet; it also means until the meeting, I will be spending a great deal of time and energy preparing myself to be in some contrived experience that aims to create connection. Not sure that’s how I want to do it any more. I’d like to see what it’s like to live day to day. To take some time to smell the flowers and plant some. To go where my whim takes me, and to invite in more intimacy, connection, and love. Some who think writers and photographers live lives of leisure, will think I already live a life of ease. Others who know, may understand. It really doesn’t matter whether anyone understands, and this is something that I will need to remind myself of, because living up to the expectations of others is part and parcel with the way most of us live; indeed it’s what has been a defining aspect of my life. Now I wish to live from the motivations of love, connection, and communication with those who are truly the loves of my life.

I long to hear the call of Spirit within me, that asks that I follow the longings that lead me to live an authentic life of love, devoted to beauty, harmony, and connection. Peace within, peace without. A life lived mindfully can be of more benefit to humankind if for no other reason that to help recapture the simple need to appreciate ourselves, our lives, and our place in Creation.

Saturday, January 5, 2013

Shadows: A Collection of Poetry

In late November, 2012, I put the finishing touches on a collection of poetry I had written over a period of 30 or so years. My original intention was to compile a little something for a poetry reading to which I had been invited.  What I thought would take a couple of weeks, became a major project, and an exciting adventure. Adventure comes in many forms. There are the adventures of traveling and discovering new places or people, or of living out a long-held dream.  My life has been full of adventure for I have been one who likes to keep seeking. What's next? What's on the other side of this experience? What is beneath the surface of these emotions? What would it be like if...."

Writing and publishing Shadows: A Collection of Poetry was an adventure on several surprising levels. Fir st, compiling, rereading, and remembering what had triggered the poetry, sent me back in time and deep into my subconscious. The poetry I had written reawakened me to people, emotions, experiences, and a great deal of unsettled memories.  The poetry came out of a place within me that was quite different from my persona...the "me" I had come to believe was how the world saw me.  It reminded me of a lot of deep-seated sorrow, grief, and unresolved issues that could only find release through poetry.  

For me, poetry comes from a place inside that finds langugage nearly useless. Only by connecting to how my experience links me to the world within and around me, can I relieve myself of that which holds onto me. Writing about the effects of war, loss, separation, and longing, can only be done in small pieces. Most of the time, the source lays quiet in a place of patient acceptance, or is channeled in a flurry of activity to turn "it" into something bearable and life-affirming.   Even to try to write about what poetry means to me or what motivates me to write, is nearly impossible.  

I say nearly, as without thought or intention, some small moment, some brief glimpse or inspiration will bring a distorted, chaotic mess into focus. The glimmer of hope that shines through even the darkest moment in someone's life, will touch me. The beauty of the sun filtering through a tree, or a bird appearing at my window will bring my world back into focus. And that is all. The willingness to be open to those moments, to see the blessings in the worst of times, and to light on a branch long enough to settle into building a nest of words that can find a home in a piece of poetry. 
That's all there is. That's the grandeur and the glory of poetry.

To catch a glimpse of how some of that poetry makes its way into the nest, read a bit from Shadows: A collection of poetry

Another adventure that came out of publishing Shadows: A Collection of Poetry, was the experience of getting this book ready, from start to publication to marketing. Out of an adventure I began long ago, and a dream I had to begin my own publishing company, I also gave birth to Whales & Nightingales Press and Writing Services, a company designed to assist other poets and authors get their work prepared, published and marketed. 

For more information about Shadows, visit the Facebook Page

Shadows: A Collection of Poetry's Facebook Page.

Wednesday, January 2, 2013

Living with an Open Heart

Gift of Memories                                                                                Catherine Al-Meten

As New Year, 2013 begins, we are again at a threshold between the past and the present, yesterday and tomorrow. Turning points are times that offer us stillness and time to pause and reflect, if we are so inclined.  New Year's is always a time for me to reflect, clear out, and prepare, to process what has happened, and to wonder about what lies ahead. New Year's, the holiday, follows a nearly two-month period of holy days and celebrations, and the accompanying expectations, stress, and building levels of anxiety and concern for "getting it right" for some, and for finding a way to 'get through' for others.  I too have my own set of expectations, and stress-related anxieties. We have arrived at an end to the year and most of the celebrations. My own experiences of the holy days differs year to year, and this year I found a peaceful way to embrace the fullness of the holy withouth driving myself or anyone else over the edge. Each year, I discover a little more about how to live in the present, and to deal with my own unrealistic expectations of what life is supposed to 'be' like. Now the passage of time brings us to another turning point in time, the end of last year and the beginning of the new.  

Threshold times revolve around passages. We pass from one year into another, or we embark on a new journey. We might begin or complete a project. We might alter the way we live, or set out on a course of discovery or set off on an adventure. At the threshold, we consider what we are leaving behind, and what we have gleened from the past that we can carry forward with us. We notice what has left our lives, or what we have accumulated or chosen that now needs to be integrated into our lives. We look at what about ourselves, we need to repair, tend to, nurture, heal, strengthen, or love more tenderly.  We search our souls and psyches to ask the questions that matter most to us as we prepare for a new start. For some, it has to do with taking better care of ourselves. I've heard from many who are begining dietary cleanses, or starting new diets. Others are getting prepared to get more fit. Still others are looking for creeds, codes, and omens to guide their paths. What is it that you are gathering for your journey into 2013? 

This morning I awoke with several thoughts humming through my brain.  "listen more closely", "count your blessings", "walk more mindfully in each moment", and "open your heart to be more receptive to what gifts are coming your way". "Focus on the little pieces of each big day, each big project, each big event, and capture the elusive heart of each matter." I read my friend Carlos' blog this morning, and he beautifully captured a series of simple blessing times he had experienced over the last year. I recall him talking about each one, and I thought as I read his piece, "Being grateful is the key and the real motivator that propells us forward and gives life  its wholeness." So before setting forward, I plan on looking back to create my own blessing list, and to be grateful for all that my life has blessed me with on the journey this past year.

Next, in preparing for the future, I know it is important to identify not so much what I hope will happen, but how I am living in each moment.  What I have learned about life is that no matter what my expectations, plans, or dreams be, life unfolds in its own singularly special, magical, and beautiful way.  When I put my intentions out, I must do so without knowing exactly how what I desire is going to return to me. If I hold onto too tightly to a vision of how a wish, desire, or dream comes into being, I block my way, and may not notice how I am receiving just what I need in just the right way. The special moments in our lives come about in surprising, unexpected ways and at times when we least imagine they will. By opening our minds, hearts, eyes, and consciousness to what is on the path with us, what is right in front of us, and what is within us brewing, bubbling to the surface,  waiting to be born into being, we miss the fragile truth of the present. 

So as this new year begins, my desire is to be more present in each moment, the be grateful each day for what is and is not part of my life, and to notice and affirm all the blessings that are already creating the magic of life, love, creativity, and connection for my life. As I dip my ladle into the bubbling cauldron of love, beauty,  and relationship, I am nourished and filled with purpose, connection, and gratitude. 

Life is full of purpose, fulfillment, and meaning in direct proportion to how I acknowledge and embrace how blessed each day, each moment, and each connection is.  The ongoing birth of Creation is in part, what we make of the wonderful gift we each have to rise each day to a new chance to live from love, compassion, and a willingness to honor the gift of Life we have been given. We are each special, filled with magic that only we can express. The sooner we discover our special gifts, the sooner we can open them, put them on, and share them with the world as a way to bring more beauty, peace, hope, and love into being.  My fellow photographer and writer friends understand this. We speak through images that show what we love most or share our adventure for life. Through our art, our music, our writing, we express something of the Divine, something of majesty, to sing Alleluja and say "Yes!" to Life. 

Setting forth on a journey, beginning a new adventure, or starting a new relationship guarantees that the change in our life will be fraught with surprises, challenges, and twists and turns.  At the threshold, we invoke, through prayer, the protection, guidance, and insight needed on the path we are on. Through prayers, reflection, and meditation, we place ourselves into submission before the power of the Divine, the vastness of possibilities, and the daily surrender we make to whatever lies ahead. We know we have what we need for the journey, and we know we will learn, grow, and blossom from the challenges, knowing in our hearts that  "As it was in the beginning, is now and ever shall be, world without end."
We may not know what lies ahead, nor may we know what we are meant to do each day, but we know we are gifted and blessed for whatever the journey holds for us. 

Today I begin anew, living from my heart and from a place of love. I live with the gifts of grace that we each have if we listen to our hearts and notice what blessings fill us and our lives already. Open yourself to receive what gifts are meant for you, and live without having to know the way it will all turn out. Live with the adventure and surprises of Life, and have a wonderful New Year.  

Wednesday, December 19, 2012

How Sweet It Is!

Not Today                                                                                                                                                             Catherine Al-Meten

Rain has been pouring down all day. Occasionally it has slowed down, but from what I hear, the hills are sliding down onto the roads and into some of the hillside houses of Astoria. It has been a wet late Autumn, and it appears that the amount of rain that's fallen today could lend some credence to the rumors about the end of the world coming this Friday on the Winter Solstice. While I doubt that to be the case, some things are ending, and I am ever so thankful for that.

Last year around this time, I was wondering how I was ever going to have time, energy, or inspiration to get some of the projects that had been piling up on my desk, in my files, and on my shelves for years now.  Usually working on two or three large projects at a time, I'm more apt to finish up smaller more immediate projects---usually at the behest of someone else---rather than get down to business with my own work. If you're anything like me, I tend to do what I perceive will put bread on the table, gas in the car, or a roof over my head.  The idea that working for myself would be enough to provide me with a decent living, had really never occured to me until quite recently.  

This year, I took a leap of faith, or rather I took a tumble that led me to have to take a metaphoric leap of faith and let go of some of the perceptions I had about how I was living.  While walking down a steep hillside in Sausalito last December, I was just mentally congratulating myself for not tripping and falling, when, you guessed it, I tripped and fell.  This happened quite early in my trip to the Bay area, and I braved it thinking I'd probably done myself no real damage.  After a few weeks when I traveled back to Oregon, my leg was swollen and I was in pain. I was also extremely run down.  Not looking forward to having to commute back and forth to Portland to teach one class, I greeted the new year with a short list of wishes (call them resolutions if you want to but we all know they are wishes). 

At the top of my list, was to stop working for other people and go back to working from home (writing, photography, counseling). Another wish was to get more rest and take better care of myself. Another was to get some projects finished that had been in various stages of development for a long time. There was something about wanting a vacation and another wish to spend more time with my family.  That was it.  Not my usual tome of wishes.

At this end of the year, I can see that from now on, I'm keeping my list short.  With the exception of the vacation, I've done everything on my list.  About three weeks into the Winter term, I was sick and still in pain. I made an appointment to see a doctor, a nurse practitioner.  She promptly diagnosed a major problem with my thyroid and adrenal glands, ordered me to stay in bed with my leg elevated for two-three weeks (so the break could heal; yes, the leg was broken), and to completely change my lifestyle if I wanted to get healthy. What I had dismissed as "being tired" was a more serious problem, and I was finally able to have someone tell me what I needed to do to fix the problem. Rest (that was one of the wishes) and change my life and workstyles (another wish).  It's always good to have someone order you to treat yourself better.

So I entered 2012 believing I had to suck it up for another 6 months or so, but quickly learned, I no longer had that choice. I didn't know how I was going to make it, but believed both the doctor and a wise social worker who observed my life and told me I would be very unwise not to change immediately.  So I did. After going through the excrutiating experience of having to leave a job I had loved for years, feeling bad about letting other people down, I let go, and began to take care of myself.  I'm not going to fill you in on the whole year, but suffice it to say, I did as I was told. Despite the fact that I had been eating quite well according to nearly everyone who advises on how to eat right. For me, I had been making my condition worse. I had to eliminate some of the "healthiest" foods from my diet for they contained too much of what I already had too much of. Adjusting one's diet is a lifelong puzzle for most of us. Our bodies require differnt nutrients at different times of our lives. I'm so thankful to my doctor, Stephanie Potts, for her keen observations, her ability to hear what I said and read between the lines, and for her abilities as a diagnostician (almost more important than anything else in a doctor I believe). She headed me on the right path, monitored my progress, and remembered minute details about me and my life so that she could keep track of how I was doing.

For months I got used to being at home and working from home. I learned how to balance my time, energy, and connections with others. Basically a complete introvert, I am way too happy with my own company for my good health or sense. I made myself go to the local coffee shop, walk around town, meeting people, and getting involved more in reporting on the local art and literary scene as my job as a reporter for an online newservice required. Last summer, I was introduced to a couple who had just opened a yoga studio in Astoria. I asked if they had anyone doing meditation, and they said they didn't but would love to find someone. So I offered my services. In exchange for leading a meditation group, I was able to begin doing yoga on a regular basis. I had begun yoga over 40 years ago. I learned it from Richard Hittleman's book and diagrams. I did yoga through my first pregnancy, and had done it off and on for years. 

When I moved home to Oregon in the early 90s, I went to yoga weekly, but never had had a regular daily practice until this year. Now here comes the pitch. Yoga has changed my life.  I haven't had a regular physical exercise practice since I was in my 30s when my husband and I played tennis, raquet ball, swam, and rode horses. The daily practice of yoga, plus two meditations a week, and a ballet stretch class (that I love) have all combined to help me find a sense of harmony. The people who are part of the yoga studio (the owners, teachers, and students) all combine to make for a nourishing, supportive place to practice.  We have formed a number of great friendships, and I am so grateful. I am busier than  I have been for many years, but my life is in much more harmony. 

My collaborations with other artists and local business people, plus my long-term relationships with people all over the world, have given me the support and connections that have made it possible for me to create...not with a lower case 'c' but  CREATE! In the past month I have been able to finish and publish two books. One is a collection of poetry written over the past 30 years. I wrote it, in part, to prepare for a poetry reading in Monterey in November (Monterey Poetry Consortium's November Poetry reading with poet, Robert Nielsen). Shadows: A Collection of Poetry, is a compilation of a number of poems written, for the most part, to deal with sadness, a sense of separation, and loss I felt from being away from the man I love.  It was wonderful and painful to finally get the poems together, shared, and published. It helped me heal in a way I hadn't realized I needed to. Incidently, once I finished the book, my long lost love reconnected with me, and we are planning our reunion.  

The second book, is a book I was inspired to write when I was still living in Monterey.  I had returned from working in Connecticut, and was helping take care of my granddaughter.  On weekends, I was busy getting my life as a full-time, freelance writer and photographer started. I was envisioning eventually operating a business to help other writers, artists, and photorgaphers, and at that time I established Whales & Nightengales Press.  I created the idea in my mind, gave it a name, and looked forward to the time I could make it come into being.  Last month, I published Shadows: A Collection of Poetry through Whales & Nightengales Press. This month, today in fact, I published the second book, Elements of Tarot: A Guide to a Spiritual Journey.  As I said, it came to me as an inspiration. I had studied and read Tarot for many years, and wanted to do a reading. I bought a new deck, and read the brochure that came with the Rider Waite deck. It read like a collection fortune cookies, and it irritated me that such a powerful and useful tool was being presented to novices in such a poor manner.  

Over the course of a month, I reinterpreted the deck focusing on how it could be used for spiritual and psychological development. I wrote also of the value for novices and professional readers alike to have an ongoing spiritual practice.   The book was written, but I set the manuscript aside for a while because I wasn't sure how to incorporate a deck of cards into the book.  My friend, Tammy von Payens, a local Northwest artist, offered to try her hand at creating some illustrations for the book. We worked together on the illustrations, as she knew little about the cards to start with. We spent a great deal of time discerning and deciding the best ways to do the artwork.  Her quirky and folk-art collage style illustrations, lend a very contemporary flair to an ancient set of metaphysical cards.  Last weekend, we designed the cover together, and got so excited about that. Collaborating and supporting other artists and writers is such a nourishing and rewarding experience.  We published the new book, Elements of Tarot: A Guide for a Spiritual Journey through Whales & Nightengales Press as well. Tammy created a great logo, and the company that was envisioned four years ago, has become a reality.  

Tonight, the rain is still falling. I hear it hitting against the vent of the heater, sending the echo of rain drops down into my living room. Outside the rain is pelting the side of the house, the street, and the wind is whipping and howling. Inside, I am finally beginning to feel tired. I am ready to stop and celebrate. To rest and regenerate. To take some time to appreciate what it takes to discipline yourself to get something you want to create done. I want to appreciate the support I've had from some and the risks I've taken to keep moving toward achieving my dreams regardless of who thought it was a good idea or not.  There is more to do. I know for I have helped a number of my friends do their marketing, arrange for getting out to share their work, and to keep on dreaming up new ideas.  I wanted to get some things done, so I could have a clearer mind to work on a large project I began when I was working on my doctorate. For now, I'm resting, and hopefully, will have a winter vacation before setting to work on the next big project.  

The day-to-day work of writing, doing photography, and counseling will continue, but for a writer who loves to celebrate the finish, I am ready to turn the music up, dance all night, and sing songs of praise for the joy of life and the art of creativity. "Life is like a great big juicy peach," and I believe I am in the middle of enjoying the sweetness of it all. 


Tuesday, November 13, 2012

Art as Our Work

Paperback version of Shadows: A Collection of Poetry

We live in a marvelous, magical time. We have the capacity and freedom to make creative choices with our lives, and we have the technology and access to put our creations into print or e-form to make our voices heard anywhere on the planet.  When you think about it, it boggles the mind. At least it boggles my mind. I think about all the great artists, writers, poets, scientists, and other creative types who lived in lives of relative obscurity. I wonder if motivated only by the desire to create, they didn't often wonder whether or not anyone would ever be able to hear their voices, enjoy their work, or even have access to their creations?

Last night in talking to an artist friend of mine, I was reminded, as I am on a daily basis, of all the choices we have to make when we devote and commit ourselves to lives of creativity. We all need to work to keep ourselves afloat. Even Maslow understood that the basic needs had to be met before we were free enough, stable enough, and healthy enough to reach the our level of human potential.  He was only half right though. For writers and artists often give up some of what others would say are the "necessities" quite simply so that they can do their art. Our friends and families, well meaning though they are, often encourage us to get a 'real' job, not understanding that our art is our work. 

Many writers, even the most famous ones, historically and living writers, have been well-educated, had careers, maintained relationships and families, and lived fairly conventional lives. 
William Carlos Williams, for example practiced medicine in New Jersey his entire career while also being a poet. Poet, Wallace Stevens, worked for Hartford Accident and Indemnity for over 40 years, refusing to leave his job when he became famous. He also refused to accept the Pullitzer Prize for Literature because it would require him to leave his job with the Hartford company. Poet, Phillip Larkin, was a librarian at HullU niversity's library when he wrote his poetry. Bram Stoker, the author of "Dracula" was the personal assistant to an actor and the business manager of the Lyceum Theater in London for most of his life. Alice in Wonderland's author, Lewis Carroll, was a teacher, mathematician, and photographer. 

Mystery writers,  Dashell Hammet and John Grishem, had jobs that later became part of their genre. Hammet was a private detective and Grishem was an attorney and a member of the House of Representatives representing Mississippi. Jack London was an oyster pirate, gold prospector, and a hobo, riding the rails to gather stories. Essayist and poet, Ralph Waldo Emerson, ran a school for girls out his home with his brother. He also was a minister and lecturer. Henry David Thoreau, was Emerson's handy man, worked for his family's pencil company,  taught and sold vegetables to keep himself together. Nathanial Hawthorne, of The Scarlet Letter fame, worked for the Boston Custom's house as well as being a surveyor and inspector for the Port of Salem. Zane Gray, was able to give up his much-hated job as a dentist at the age of 40, when he  became a successful writer.

We often do strange things to take care of our families and to help ourselves survive. J.D. Salinger, was an entertainment director on a Swedish cruise ship.  Franz Kafka, was a chief legal secretary for an insurance company, Tom McCarthy was a nude model in  Prague and a bartender in Berlin at an Irish bar. John Steinbeck ran a fish hatchery and led guided tours in the Lake Tahoe area. T.S. Eliot worked for Lloyd's Bank in London, where he was inspired to write his famous poem, The Wasteland. Robert Frost worked in a light bulb factory and worked as a newsboy after leaving Dartmouth College after just a few months. Ken Kesey volunteered for CIA experiments with LSD where he was inspired to write One Flew Over the Cukoo's Nest. Kurt Vonnegut worked for a Saab dealership. Siri Hustdvedt, author of What I Loved, worked as a window model at Bloomingdales. Stephen King worked as a school janitor, James Joyce sang for his supper to support himself, and David Shields had a series of jobs, all of which he was fired from including, McDonalds, a fabric store, and a school custodian. Joseph Heller was a blacksmith's apprentice. Harper Lee was an airlines reservation clerk before she wrote To Kill a Mockingbird. 

A number of us writers start out as English teachers, including Dan Brown, J.K.Rowlings, to name just two. 
Many women writers cast their fate to the winds, starting out with just pennies in their pockets to take their chances at doing what their hearts desire. Patti Smith wrote Just Kids after going to New York City to become a writer with just a one-way ticket in her pocket. Dorothy Parker set up shop as a NYC writer in a $75 a month apartment on 54th. Her small one bedroom flat was both her office and home, and the site where other artists and writers gathered. 

Allesandra Stanley, a New York Times writer, wrote upon the death of author and screenwriter,  Nora Ephrom, "... she had a brilliant career, actually several at once, and took risks in all of them." A friend of mine once said that when she went to see Anais Nin speak at a university gathering, the question was asked, "What's it like to be friends with all the famous people you've known, and did you think you would be so famous when you first me?"  To which Nin replied, something to the effect,  "Look around you. Think about your friends who are artists and writers. You live your lives, you do what you must, and you  pursue your passions." That's what it was like.  


And dear writer and artist friends, that is what it is like. We do our work, we create, we figure out ways to pay the bills, keep a roof over our heads, and we find the time and means to do what we need and want to do to create  our art. We make sacrifices, we make choices, and we give up one path to pursue another. Rather than worrying about whether or not we've made the right choice, I believe we must answer the call of our hearts and souls, and just plow on ahead. Listen to that inner voice that calls you to do what may seem impossible, but do it anyway. Find a way. Act on the inspiration. Do the impossible. When we move from that inner spirit, doors open. Maybe not in the way that we imagine or hope, but they open, and we can go on through. Take the risks. Follow the hunches. Act from passion. And what follows is you have at the very least lived life fully connected to the creative process. At the most, you will enrich others with your art. I was prompted to write this piece by two people this morning. One is my artist friend who is trying to decide how to enter her artwork in a couple of contests, and how to choose a way to continue to support herself as an artist. The other is a local photogapher, who does beautiful work and shares it regularly online and in shops around town. Her work is exquisite, but she was criticized by another photographer for manipulating her work.  Not surprising, to find this competitive nastiness in the artworld or anywhere else. However, to allow ourselves to be moved by anyone's opinion of our work to the point where we stop working, we stop being in love with what we do, or we waste a single minute of our precious lives trying to convince anyone else of our worthiness as an artist or our right and indeed, need to pursue our work regardless of what anyone else thinks or believes about it or our worthiness. We are each full of gifts to share, and that is what we must do. Commit to your writing, your art, and a life of passionate risktaking.